Essay, Research Paper: Ache Of Marriage
English
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In "The Ache of Marriage," Denise Levertov attempts to explain the
pain this marriage experiences. It is a pain that affects both emotional and
physical states of being. Levertov describes the pain as if someone were reading
her thoughts. Through Levertov's use of non-conventional form, the theme of the
pain of marriage and overcoming that pain jumps from the page. The author
divides the poem into two parts. On one hand, Levertov shows the difficulty in
making a marriage last. She depicts how a marriage can ache and hurt. On the
other hand, Levertov says that a blissful marriage as the ultimate goal. All the
trial and tribulations a marriage endures prove to be worth it the sacrifices.
Through her words, the dichotomy of marriage is personified as an actual human
entity. It is a being, which aches in the "thigh and tongue" (2).
Levertov's clever use of the literary technique of personification shows how
marriage is hard but it can be a beautiful institution if sufficient time and
energy are spent to correct what has been damaged. The beginning of the poem
relates the downsides of marriage. She says, "thigh and tongue, beloved, /
are heavy with it, / it throbs in the teeth" (2-4). This pain affects every
part of the body. The use of the verb throb raises the intensity if the pain.
The tongue aches because of the endless arguments a marriage experiences. The
thighs ache because of the heavy burden pain places upon their shoulders. The
turmoil brought upon by this pain makes the marriage suffer. Because this
marriage physically causes pain, it may be hard to realize what a blessed thing
it is. The pain of this marriage results in the ultimate achievement of the
objective of marriage. The poem states that all the aches and pains of marriage
are worth going through because the love of another is monumental. The husband
and wife search in order to heal the pain within each other but cannot find it.
The search for communion is an instance of sharing. Sharing both the pain as
well as the joy of marriage. If both parties in a marriage share the aches of
marriage, then they will not hurt nearly as bad. In order for the pain to cease,
they must first face the pain with each other. By suffering through the hurdles
of this institution, the pain will either bring them closer together or tear
them apart. The "look for communion" (5) and sharing in the marriage
is what these hurting people are searching for. After first personifying pain in
a marriage as an evil state where the pain endures, Levertov shows that
regardless of the hurt they can still walk "two by two in the ark of/ the
ache of it" (12-13). Imagery is another literary device Levertov uses to
illustrate the difficulty in maintaining a sacred institution. Levertov makes an
allusion to Noah's ark by saying, "two by two in the ark of" (12).
Noah's ark symbolizes to some survival and faith in one's creator. This image
creates thoughts of survival of the marriage and faith in one another. This
biblical image illustrates how strong the bond of marriage is for Levertov
compares it to Noah's ark, which is the biblical explanation for the
continuation of man. Another image Levertov conjures up is evident in lines
10-11. She says, "It is leviathan and we/ in its belly/ looking for joy,
some joy/ not to be known outside it" (10-11). The comparison of marriage
to a leviathan serves as a vivid image. Because the pain is comparable to a
leviathan, which is an enormous, monstrous creature, at times it may seem like
there is no way to conquer this hurdle. Levertov says that pain is a monster,
within which the search for joy continues. There is no understanding of
happiness because the marriage centers on pain. Levertov writes "The Ache
of Marriage" as if someone were speaking. Her angst filled words flow
similar to natural human speech just like a conversation. This poem does not use
periods or any specific rhyming pattern making the ideas short and precise. The
form is important because the temptation to be sing-songy is eliminated. Because
the poem is written in free verse, the mood glooms with despair.
pain this marriage experiences. It is a pain that affects both emotional and
physical states of being. Levertov describes the pain as if someone were reading
her thoughts. Through Levertov's use of non-conventional form, the theme of the
pain of marriage and overcoming that pain jumps from the page. The author
divides the poem into two parts. On one hand, Levertov shows the difficulty in
making a marriage last. She depicts how a marriage can ache and hurt. On the
other hand, Levertov says that a blissful marriage as the ultimate goal. All the
trial and tribulations a marriage endures prove to be worth it the sacrifices.
Through her words, the dichotomy of marriage is personified as an actual human
entity. It is a being, which aches in the "thigh and tongue" (2).
Levertov's clever use of the literary technique of personification shows how
marriage is hard but it can be a beautiful institution if sufficient time and
energy are spent to correct what has been damaged. The beginning of the poem
relates the downsides of marriage. She says, "thigh and tongue, beloved, /
are heavy with it, / it throbs in the teeth" (2-4). This pain affects every
part of the body. The use of the verb throb raises the intensity if the pain.
The tongue aches because of the endless arguments a marriage experiences. The
thighs ache because of the heavy burden pain places upon their shoulders. The
turmoil brought upon by this pain makes the marriage suffer. Because this
marriage physically causes pain, it may be hard to realize what a blessed thing
it is. The pain of this marriage results in the ultimate achievement of the
objective of marriage. The poem states that all the aches and pains of marriage
are worth going through because the love of another is monumental. The husband
and wife search in order to heal the pain within each other but cannot find it.
The search for communion is an instance of sharing. Sharing both the pain as
well as the joy of marriage. If both parties in a marriage share the aches of
marriage, then they will not hurt nearly as bad. In order for the pain to cease,
they must first face the pain with each other. By suffering through the hurdles
of this institution, the pain will either bring them closer together or tear
them apart. The "look for communion" (5) and sharing in the marriage
is what these hurting people are searching for. After first personifying pain in
a marriage as an evil state where the pain endures, Levertov shows that
regardless of the hurt they can still walk "two by two in the ark of/ the
ache of it" (12-13). Imagery is another literary device Levertov uses to
illustrate the difficulty in maintaining a sacred institution. Levertov makes an
allusion to Noah's ark by saying, "two by two in the ark of" (12).
Noah's ark symbolizes to some survival and faith in one's creator. This image
creates thoughts of survival of the marriage and faith in one another. This
biblical image illustrates how strong the bond of marriage is for Levertov
compares it to Noah's ark, which is the biblical explanation for the
continuation of man. Another image Levertov conjures up is evident in lines
10-11. She says, "It is leviathan and we/ in its belly/ looking for joy,
some joy/ not to be known outside it" (10-11). The comparison of marriage
to a leviathan serves as a vivid image. Because the pain is comparable to a
leviathan, which is an enormous, monstrous creature, at times it may seem like
there is no way to conquer this hurdle. Levertov says that pain is a monster,
within which the search for joy continues. There is no understanding of
happiness because the marriage centers on pain. Levertov writes "The Ache
of Marriage" as if someone were speaking. Her angst filled words flow
similar to natural human speech just like a conversation. This poem does not use
periods or any specific rhyming pattern making the ideas short and precise. The
form is important because the temptation to be sing-songy is eliminated. Because
the poem is written in free verse, the mood glooms with despair.
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