Tim O'Brien's The Things They Carried is not a novel about the Vietnam War. It
is a story about the soldiers and their experiences and emotions that are
brought about from the war. O'Brien makes several statements about war through
these dynamic characters. He shows the violent nature of soldiers under the
pressures of war, he makes an effective antiwar statement, and he comments on
the reversal of a social deviation into the norm. By skillfully employing the
stylistic technique of specific, conscious detail selection and utilizing
connotative diction, O'Brien thoroughly and convincingly makes each point. The
violent nature that the soldiers acquired during their tour in Vietnam is one of
O'Brien's predominant themes in his novel. By consciously selecting very
descriptive details that reveal the drastic change in manner within the men,
O'Brien creates within the reader an understanding of the effects of war on its
participants. One of the soldiers, "Norman Bowler, otherwise a very gentle
person, carried a Thumb. . .The Thumb was dark brown, rubbery to touch. . . It
had been cut from a VC corpse, a boy of fifteen or sixteen"(13). Bowler had
been a very good-natured person in civilian life, yet war makes him into a very
hard-mannered, emotionally devoid soldier, carrying about a severed finger as a
trophy, proud of his kill. The transformation shown through Bowler is an
excellent indicator of the psychological and emotional change that most of the
soldiers undergo. To bring an innocent young man from sensitive to apathetic,
from caring to hateful, requires a great force; the war provides this force.
However, frequently are the changes more drastic. A soldier named "Ted
Lavender adopted an orphaned puppy. . .Azar strapped it to a Claymore
antipersonnel mine and squeezed the firing device"(39). Azar has become
demented; to kill a puppy that someone else has adopted is horrible. However,
the infliction of violence has become the norm of behavior for these men; the
fleeting moment of compassion shown by one man is instantly erased by another,
setting order back within the group. O'Brien here shows a hint of sensitivity
among the men to set up a startling contrast between the past and the present
for these men. The effect produced on the reader by this contrast is one of
horror; therefore fulfilling O'Brien's purpose, to convince the reader of war's
severely negative effects. In the buffalo story, "We came across a baby
water buffalo. . .After supper Rat Kiley went over and stroked its nose. . .He
stepped back and shot it through the right front knee. . .He shot it twice in
the flanks. It wasn't to kill, it was to hurt"(85). Rat displays a severe
emotional problem here; however, it is still the norm. The startling degree of
detached emotion brought on by the war is inherent in O'Brien's detailed
accounts of the soldiers' actions concerning the lives of other beings.
O'Brien's use of specific and connotative diction enhances the same theme, the
loss of sensitivity and increase in violent behavior among the soldiers. The VC
from which Bowker took the thumb was just "a boy"(13), giving the
image of a young, innocent person who should not have been subjected to the
horrors of war. The connotation associated with boy enhances the fact that
killing has no emotional effect on the Americans, that they kill for sport and
do not care who or what their game may be. Just as perverse as killing boys,
though, is the killing of "a baby"(85), the connotation being
associated with human infants even though it is used to describe a young water
buffalo they torture. The idea of a baby is abstract, and the killing of one is
frowned upon in modern society, regardless of species. O'Brien creates an
attitude of disgust in the reader with the word, further fulfilling his purpose
in condemning violence. Even more drastic in connotation to be killed is the
"orphaned puppy"(39). Adding to the present idea of killing babies is
the idea of killing orphaned babies, which brings out rage within the reader.
The whole concept is metaphoric, based on the connotations of key words;
nevertheless, it is extremely effective in conveying O'Brien's theme. O'Brien
makes a valid, effective antiwar statement in The Things They Carried. The
details he includes give the reader insight into his opinions concerning the
Vietnam War and the draft that was used to accumulate soldiers for the war.
While thinking of escaping to Canada, he says: "I was drafted to fight a
war I hated. . .The American war seemed to me wrong"(44). O'Brien feels
that U.S. involvement in Vietnamese affairs was unnecessary and wasteful. He
includes an account of his plan to leave the country because he did not want to
risk losing his life for a cause he did not believe in. Here O'Brien shows the
level of contempt felt towards the war; draft dodging is dangerous. He was not a
radical antiwar enthusiast, however, for he takes "only a modest stand
against the war"(44). While not condoning the fighting, he does not protest
the war except for minimally, peacefully, and privately doing so. His
dissatisfaction with the drafting process is included in his statement, "I
was a liberal, for Christ's sake: if they needed fresh bodies, why not draft
some back-to-the-stone-age-hawk?"(44). O'Brien's point of drafting only
those who approve involvement in the war is clearly made while his political
standpoint is simultaneously revealed. The liberal attitude O'Brien owns is very
much a part of his antiwar theme; it is the axis around which his values
concerning the war revolve. The antiwar statement is enhanced by O'Brien's use
of connotative and informal diction to describe the war, its belligerent
advocates, and its participants. The connotation in the adjective American in
describing the war seems as though O'Brien believes the Americans are making the
war revolve around themselves, instead of the Vietnamese. While also criticizing
Americans, he manages to once again question the necessity of United States
involvement in the war. Also connotatively enhancing the antiwar theme is the
word bodies to describe draftees; while an accurate evaluation scientifically,
it gives the reader the impression that the young men that are being brought
into the war to become statistics, part of a body count. O'Brien shows very
effectively the massive destruction of innocent human life brought on by
Vietnam. In contrast with his sympathy toward draftees, O'Brien utilizes
informal, derogatory diction to describe the war's advocates. He labels his
stereotype belligerent a "dumb jingo"(44), or moronic national pride
enthusiast. By phrasing his views in such a manner, O'Brien is able to convey
the idea that there is enough opposition to the war that a negative slang has
been implemented frequently, hence the term dumb jingo. The skill with which
O'Brien illustrates his views is very convincing throughout their development in
the novel; his antibelligerence focus is very effective. The social deviance
that has become the accepted norm in The Things They Carried is brought out by
O'Brien in the form of the soldiers' drug usage. O'Brien wants to convey the
idea of negative transitions brought about by the war with a statement about
marijuana's public, widespread, carefree use in Vietnam. He includes several
anecdotes that illustrate to which degree the substance is abused. A friend of
O'Brien's, Ted Lavender, "carried six or seven ounces of premium
dope"(4), which indicates not only the soldiers' familiarity with the drug,
but their acquired knowledge of the quality of the drug. The discouragement of
marijuana, as well as other drugs, was previously the accepted view of
Americans; however, according to O'Brien, is has become the norm for Americans
in Vietnam. The war has completely reversed their morals. Once they carried a
corpse out to "a dry paddy. . .and sat smoking the dead man's dope until
the chopper came. Lieutenant Cross kept to himself"(8). Even the squad's
supervisor, the platoon leader Lieutenant Cross, is unaffected by the soldiers'
blatant use of an illegal substance; he has become so used to the occurrence
that he no longer condemns its use. For even a leader of men to be morally
warped by the war is an effective idea in O'Brien's discouragement of war. As
George Carlin once said to a New York audience, "We love war. We are a
warlike people, and therefore we love war"(Carlin 1992). This view is
common today among Americans since the advent of long-distance warfare and
bright, colorful explosions; however, in the guerrilla warfare of Vietnam, the
grudging participants loathed the idea. Tim O'Brien very effectively portrays
their hatred and the severe negative effects the war had on American soldiers in
his excellent, convincing novel The Things They Carried. The skillful choice of
details and several types of diction that reveal his theme of induced violence,
his anti-war statement, and his view of the reversal of morals among GIs are
effective in presenting O'Brien's views in this, "The Last War
Novel"(McClung 96).