The difference between a play and other forms of literature is that a play is
meant to be seen and heard, not merely read. As such, the playwright's text is
the center of a larger effort on the part of director, actors and designers as
they attempt to aid the audience's understanding of the play's plot, their
sympathies with its characters and, ultimately, with the themes that it
addresses. Each scene of a play helps an audience to build its appreciation of
the play as a whole. The director, actors, designers and other various stage
hands are all part of a team that helps to convey the writer's ultimate message.
The greatest example of any of these principles would most likely be found in a
Shakespearean play. I believe Act 3, Scene II in “A Midsummer Night's Dream”
would be the best illustration of this theory. Now the characters in this scene
are Oberon, Robin Goodfellow, Lysander, Demetrius, Hermia and Helena. Oberon is
the king of the fairies. His mission in this scene is twofold; get Titania, his
wife, to fall in love with a beast and have Demetrius fall in love with Helena.
In the end he achieves both goals. Robin is basically a bumbling sidekick to the
king. Oberon gave him the potion to put on Demetrius' eyes, but he instead puts
it on Lysander's. Lysander is in love with Hermia as she is with him. Helena is
in love with Demetrius who was at one time in love with her, but now would like
to marry Hermia. This scene takes place deep in the forest. I think this is very
important, because the forest is a dark place full of mystery, and mystery is a
nice prelude to romance. It must not be a very big forest, because when Hermia
asked Lysander to meet her there, she never established any specific spot. This
adds to the idea that this is a very localized problem. Everyone knows who
everyone else is, and everyone is in love with the wrong person. Now Lysander
and Hermia were supposed to meet in the forest to plan their elopement, but
Helena told Demetrius of their plans in order to gain his favor. Demetrius ran
after Hermia and Helena ran after him. Of course no one knows that anyone's been
anointed with any love potion which creates most of the confusion. Once Robin
gets it right and gets Demetrius to fall in love with Helena, she mistakes it
for some cruel joke. Hermia however, takes the situation all too seriously. She
really starts to believe Lysander is in love with Helena, especially when he's
ready to duel with Demetrius for her hand. Luckily, however, Robin impersonates
the both of them, and he leads them away from each other to someplace they can
each fall asleep. We see many different themes throughout this scene. The theme
“love is blind” is certainly conveyed powerfully. How else could we explain
Titania being in love with Bottom, who at this point has the head of an ass?
This also explains how Lysander can suddenly be in love with someone whom he's
never shown the slightest bit of interest in until now. Of course there's also
the reversal of roles in this scene. In a previous scene, Helena was being
treated as one would treat a dog. Demetrius was literally shaking her off of his
leg, while she simply asked for more when she said, “I am your spaniel,
Demetrius, The more you beat me I will fawn on you”. In this scene however,
Demetrius has a change of heart and we hear him proclaim, “O Helen, goddess,
nymph, perfect, divine! To what, my love shall I compare thine eyne?” Hermia,
who up till now was wanted by both Lysander and Demetrius, gets nothing but
loathing from the two. Where before they would shower her with nothing but
praises, now they shout insults at her, and even threaten her with bodily harm.
You would think all this messing around with people's emotions would complicate
the plot to immeasurable ends, but in the end it actually begins to resolve it.
Because of Robin's little mishap, we have a great deal of confusion during a
good share of this scene. Demetrius and Lysander are ready to kill each other in
order to be with Helena. This is apparent when they exchange “fighting”
words: LYSANDER: Now She holds me not. Now follow, if thou dar'st, to try whose
right, Of thine or mine, is most in Helena. DEMETRIUS: “Follow”? Nay, I'll
go with thee, cheek by jowl. If you had not read past act 2, you would think
these two were fighting over Hermia. Helena on the other hand, the person they
are actually fighting over, thinks this is all a big joke at her expense. She
finally has what she's been wanting the whole play, but she doesn't want to
accept it. Hermia meanwhile, must be very confused to see the two men who just a
little while ago were fighting for her, pushing her aside in order to be with
Helena. Toward the end of the scene however, we begin to see some resolve. Robin
leads the two Athenians away from each other, and gets them both to fall asleep.
He then has the girls fall asleep and anoints the eyes of whom he needs to
anoint, Lysander. At this point it looks like everything might just turn out all
right. Now this scene must be played with plenty of emotion. This potion that
Robin uses is very powerful. We can see this plainly by the way it makes men
fall madly in love. One can see lots of raw energy in this scene; energy that
must be brought out and unleashed. Anyone performing in this play must be giving
their all. The scenery is, of course, a dark forest. The darkness needs to be
especially apparent, because that's what adds the mystery to the scene. There
should be some fog on the ground to emphasize the “dreamlike” state that
most of these characters are in, these characters being Lysander, Demetrius and
Titania. They have all been, or will be, anointed with the love potion so it is
imperative that a dreamlike state is imposed on the forest. In the beginning, we
see Demetrius and Hermia having an argument. Hermia needs to be yelling and
using plenty of body language to express her emotions. At this point, she thinks
Demetrius killed Lysander. She has a right to think so as Demetrius doesn't
really give any reason to believe that he didn't commit this heinous crime. He
gives evince to the fact when he answers Hermia's question about the whereabouts
of her lover with, “I had rather give his carcass to my hounds”. Of course
this sets Hermia off in a frenzy. She calls him every name in the book;...dog...curr...worm...adder...serpent...”
This she needs to do screaming, perhaps even pounding on Demetrius' chest with
her fists for dramatic effect. Of course when Demetrius finally tells her where
her precious love is she finally tones down a bit, although still keeping the
anger in her voice when she tells him, “And from thy hated presence part I.”
Demetrius throughout all of this should remain calm and collected for he has
nothing to really worry about. In his mind, he thinks he will get Hermia; if by
force then so be it. There is a short scene where Oberon yells at Robin for
mixing up Athenians. This of course was no fault of Robin's, but he is only a
mere servant and must act like one. He needs to basically obey without asking
questions, perhaps stuttering every now and then just out of nervousness. He is
getting yelled at by a king. Oberon, on the other hand, must act high and mighty
and look down upon Robin as a mere subject while he barks out the orders. I feel
that's the kind of king he is. Now as we move along in the scene, we get to the
part where the four lovers finally cross each other's paths. At this point
however, things are a little screwed up. Lysander is in love with the wrong girl
and Helena doesn't know a good thing when she's got it. She thinks the two men
are playing a cruel joke on her and so should act betrayed. Tears would be a
definite plus at this point as Helena is obviously very upset. Hermia, on the
other hand, goes from confused to furious. At first she is confused at
Lysander's dissent. At this point she's probably talking slow and low, not
really sure of what's going on. She soon turns to anger however; all directed
towards Helena. She feels her love has been stolen and is ready to fight. Hermia,
on the other hand, still feels this is a cruel joke and thinks Helena is now
also in on it. At this point, they are ready to come to blows and should be
right up in each other's faces, spitting insults back and forth. Now by this
time, Oberon decides to step in and once again send Robin in to do some more
handiwork. He gets the two men even angrier by pretending to be each one and
leading them to separate parts of the woods. At this point the men must act
furious and ready to kill someone. They should be stomping through the woods
looking for their foe. By the end of the scene, Robin has led everyone to safety
and they all fall asleep where he leads them. At this point, everyone is in a
dreamlike state and should be acting very calm and relaxed, which should be easy
to do, because they should be sleeping. It's been shown that a play is meant to
be seen and heard. The director, actors, designers and other various stage hands
all help to contribute to what the writer is ultimately trying to convey with
his play. Each scene of the play should help the audience to build its
appreciation of the play. I believe Act 3, Scene II of Shakespeare's “A
Misummer Night's Dream” is an excellent example of this theory.